Pride and Prejudice

5b Jane Austen. Illustrated by Chris (Christina) Hammond. London: The Gresham Publishing Co., 1900. First Edition of this Binding.

Notes

Pride and Prejudice by Jane Austen, first published in 1813, is a classic novel of manners that explores themes of love, class, reputation, and personal growth. Set in early 19th-century England, the story follows the spirited and intelligent Elizabeth Bennet as she navigates societal expectations and her evolving relationship with the wealthy and initially aloof Mr. Darcy. The novel critiques the limited opportunities for women and the pressures of marriage in a rigid social hierarchy, all while delivering sharp wit, keen observations of human behavior, and a compelling romantic arc.

Christiana Mary Demain Hammond, known as Chris Hammond (1860–1900), was an English painter and illustrator celebrated for her contributions to the "Cranford School" of illustration, a group renowned for its sentimental depictions of pre-industrial England. Active from the late 19th century, Hammond illustrated several classic English texts, including works by Jane Austen. Her illustrations are characterized by delicate pen-and-ink drawings that capture nuanced facial expressions and gestures, offering a more serious and visually surprising interpretation compared to some of her contemporaries. Hammond's work was featured in publications like Cassell's Magazine, The Quiver, and St. Paul's, and she occasionally exhibited at the Royal Academy and the Royal Institute of Painters in Watercolours.

In 1900, Hammond illustrated a posthumous edition of Jane Austen's Pride and Prejudice, published by The Gresham Publishing Co. This edition featured six line engravings by Hammond, including a frontispiece and five plates, showcasing her signature style. The illustrations were well-received for their charm and subtlety, contributing to the enduring appeal of Austen's work. Hammond's untimely death in 1900 at the age of 39 marked the end of her prolific career, but her illustrations continue to be appreciated for their artistic merit and their role in bringing Austen's novels to life for readers of her time.

Description

Blue cloth Talwin Morris binding reminiscent of the peacock edition with the green and white feather-like design. Gilt lettering on upper board and spine. Grey endpapers. Six full page black and white illustrations by Chris Hammond the first identified female illustrator of Austen’s works. Minimal scuffing to lower board. Bumping to the points. Softening to upper and lower spine. Some wear to the binding but fully intact. Fine condition overall.