American Gods

5RR Neil Gaiman, Harper Collin’s New York, 2001. First edition unedited proof.

Notes

This is an uncorrected proof of American Gods by Neil Gaiman, published in 2001. It is a contemporary fantasy novel that blends mythology, religion, and Americana into a unique and thought-provoking narrative. The story follows Shadow Moon, a man who, after serving time in prison, returns home to find that his wife has died under mysterious circumstances. Soon, he becomes involved with Mr. Wednesday, an enigmatic figure who turns out to be the Norse god Odin. As the plot unfolds, Shadow is drawn into a conflict between the old gods, who represent traditional beliefs and mythologies, and the new gods, who symbolize modern concepts such as media, technology, and consumerism. The novel explores themes of belief, identity, and the changing nature of faith in the modern world.

Gaiman’s world-building in American Gods is rich and immersive, blending mythological figures from a variety of cultures with a modern American backdrop. The novel delves into the idea that gods are dependent on the worship and belief of humans, and that as society changes, so do the gods. With its dark humor, complex characters, and philosophical undertones, American Gods has become one of Gaiman’s most celebrated works, earning critical acclaim and numerous awards. It was later adapted into a television series, further solidifying its place in popular culture. The novel is not only a gripping fantasy tale but also a meditation on the role of myths and beliefs in shaping both individuals and societies.

Neil wrote in a letter to the publisher accompanying an outline of the book he planned to write next, being this book; 

“If Neverwhere was about the London underneath, this would be about the America between, and on-top-of, and around. It’s an America with strange mythic depths. Ones that can hurt you. Or kill you. Or make you mad.

American Gods will be a big book, I hope. A sort of weird, sprawling picaresque epic, which starts out relatively small and gets larger. Not horror, although I plan a few moments that are up there with anything I did in Sandman, and not strictly fantasy wither. I see it as a distorting mirror; a book of danger and secrets, of romance and magic. 

It’s about the soul of America, really. What people brought to America; what found them when they came; and the things that lie sleeping beneath it all.”

Gaiman believed his book held up to this early description even in its final version.

Description

Paper covers with black lettering in a copy of Neil Gaiman’s own words dated February 9, 2001 on the front cover. Black lettering on the spine and back cover as well. Spotted discoloration to the white front cover. Small tear along the right side of the front cover. Bend to the upper left corner of the back cover. Interior intact. Good condition.